September Inspirations: Pre-Raphaelite and Victorian Women

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There is absolutely nothing more refreshing than the sound of a Mourning Dove singing about the cold, crisp morning air on a rainy September Sunday. I have felt a sensation of peace and ease wash over me as of recent, and a deep relief, one I’ve been waiting eagerly and greedily for this entire summer, has been exhaled out from within me. I feel calm. I feel revived. I feel myself breathing in inspiration the way I did years and years ago, like the day I was 12 and had just been gifted my very own, very used, 1990s Dell laptop for my juvenile writing and inexperienced poetry. What a great surprise! I feel now the same rush of words, thoughts, and emotions I felt that day, the very day I realized how fast I can write words with a keyboard. I am still astonished at how quickly I manage to note down my ideas on a laptop than how I do in a notebook. My fingers do appreciate the upgrade.

My Septembers tend to be filled with new beginnings; new interests, new flavors, new limits — I find myself reminiscing about my childhood, the parts that were colorful and the parts that were dreary, and I grasp the nostalgia found somewhere in the middle of the two. I also find myself dreaming of my future and each way I can see it play out one lucky day ahead. This pattern reunites with me each time the tree’s leaves blush and the autumn breeze returns after a hot, hot summer of waiting for Godot.

This September was one of particular inspiration, and I found the auburn trees and the out-of-season flowers crushed and sprawled across the pavement more beautiful than ever. They reminded me of the dwindled color and flattened texture of Pre-Raphaelite landscapes and the women inhabiting them. The foggy, romantic apathy in John Everett Millais’s “Ophelia,” and the dewey morning air I could almost taste from John William Waterhouse’s “Hylas and the Nymphs.” Arthur Prince Spears’s “Titania” reminds me of days I’d somehow find myself deep in the trees as a child, and how I felt them protect me from the sun’s harsh rays with their leafy tops. I could only wish to feel as free and dreamy as Shakespeare’s Titania had, queens of the fairies.

Arthur Prince Spear, Titania, 1927, oil on canvas

John William Waterhouse, Lamia, 1909, oil on canvas

Armand Point, Reminiscing by the Pond, 1893, oil on canvas

John Everett Millais, Ophelia, 1851-1852, oil on canvas

John William Waterhouse, Hylas and the Nymphs, 1896, oil on on canvas

Elizabeth Siddal, Lady Clare, 1857, watercolor on paper

Charles Jalabert, Galatea, 1847

Raphaël Kirchner (1876-1917), ‘Spring’, “Puck Magazine”, 1916

John William Waterhouse, The Lady of Shallot, 1888, oil on canvas

Arthur Hughes, The Lady of Shallot, 1873, oil on canvas

Arthur Hughes, Ophelia, 1851-1852, retouched 1854, oil on canvas

Teodoro Wolf-Ferrari, Will-o’-the-Wisp at the Foot of Monte Civetta in the Dolomites, 1897

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